{"id":197,"date":"2021-05-20T13:38:01","date_gmt":"2021-05-20T13:38:01","guid":{"rendered":"https:\/\/catewileyplaywright.com\/?page_id=197"},"modified":"2023-05-20T20:49:55","modified_gmt":"2023-05-20T20:49:55","slug":"cate-wiley-cv","status":"publish","type":"page","link":"https:\/\/catewileyplaywright.com\/cate-wiley-cv\/","title":{"rendered":"Cate Wiley CV"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Production History<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Full-length:<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Two Truths and a Lie&nbsp;<\/em><\/h4>\n\n\n\n<ul>\n<li><em><\/em>World Premiere, New York, Theater for a New City Dream Up Festival (2022)<\/li>\n\n\n\n<li>Premiere Covid-cancelled, Minneapolis, Theatre Unbound (2021)<\/li>\n\n\n\n<li>Finalist, Sacramento, B-Street Theater Comedy Festival (2020-2021)<\/li>\n\n\n\n<li>Staged reading, New York, Up Theater Company (2022)<\/li>\n\n\n\n<li>Staged reading, Boulder, Boulder Ensemble Theater Company (2019)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>The Liberation&nbsp;<\/em><\/h4>\n\n\n\n<ul>\n<li>World Premiere, Seattle, Ghost Light Theatricals and 14:48 Productions (2018)<\/li>\n\n\n\n<li>Staged reading, Hudson, NY, HRC Showcase (2019)<\/li>\n\n\n\n<li>Scene read (as <em>Shame<\/em>), Denver Center New Play Summit Slam (2016)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Sheltered&nbsp;<\/em><\/h4>\n\n\n\n<ul>\n<li>World Premiere (forthcoming), New York, The Cell (2024)<\/li>\n\n\n\n<li>Staged reading, New York, The Cell (2023)<\/li>\n\n\n\n<li>Finalist for Fratti-Newman Political Play Award (2019)<\/li>\n\n\n\n<li>Monologue read, Denver Women\u2019s March\u00a0 (2019)<\/li>\n\n\n\n<li>Staged reading Denver Women\u2019s Commission\u00a0 (2018)<\/li>\n\n\n\n<li>Staged reading, Denver, Red Line Gallery, Athena Project (2016)<\/li>\n\n\n\n<li>Staged reading, Golden, CO, West Side Live! Athena Project (2016)<\/li>\n\n\n\n<li>Staged reading Aurora, CO, Athena Project Plays in Progress (2015)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Trespassing<\/em> &nbsp;<\/h4>\n\n\n\n<ul>\n<li>Staged reading, Athena Project Plays In Progress, Aurora, CO (2013)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Under the Feet of Jesus<\/em>&nbsp;<\/h4>\n\n\n\n<ul>\n<li>(adaptation of novel by HM Viramontes), Staged reading, Great Plains Theater Conference,\u00a0 Omaha (2009)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Short Plays:<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Viable&nbsp;<\/em><\/h4>\n\n\n\n<ul>\n<li>Bunbury Players One-Act Festival, New York (2023)<\/li>\n\n\n\n<li>Premiere, New York, Rogue Theater Festival (2022)<\/li>\n\n\n\n<li>Soop to Nuts Short Play Festival, Pelham NY (2022)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Take It Back<\/em><\/h4>\n\n\n\n<ul>\n<li>Premiere, New York, Rashid Johnson Red Stage at Astor Place (2021)<\/li>\n\n\n\n<li>WOW Caf\u00e9 Theater, New York (2021)<\/li>\n\n\n\n<li>New York, NY Theater Festival WinterFest (2021)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Like Horses<\/em><\/h4>\n\n\n\n<ul>\n<li>Live premiere, New York, Chain Theater Festival (2022)<\/li>\n\n\n\n<li>Zoom production, New York, Build Back Better Festival, New Circle Theater Company (2020)<\/li>\n\n\n\n<li>Zoom production, New York, Irondale On Women Festival (2021)<\/li>\n\n\n\n<li>Zoom production, Boone, NC, Senior Directing Project New Play Festival Appalachian State University (2021)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Hello<\/em><\/h4>\n\n\n\n<ul>\n<li>Pop-up production, New York, \u201cMore Ways than Broadways\u201d FABNYC (2020)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Note to Self&nbsp;<\/em><\/h4>\n\n\n\n<ul>\n<li>Premiere, New York,\u00a0 International Human Rights Arts Festival (2021)<\/li>\n\n\n\n<li>Sullivan County Dramatic Society, South Falls, NY (2022)<\/li>\n\n\n\n<li>Winner, Lake Charles, LA, Itinerant Theatre \u201cLife Inspired\u201d Series\u00a0<\/li>\n\n\n\n<li>Filmed Provo, UT, The Hive Collective (2019)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Letter Home <\/em>(script for devised theater)\u00a0<\/h4>\n\n\n\n<ul>\n<li>Denver Center Off-Center immersive theater, Denver Public Library (2019)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Calypso<\/em> &nbsp;<\/h4>\n\n\n\n<ul>\n<li>Aurora, CO, One Night Stand, Vintage Theater (2016)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Lost in Translation<\/em>&nbsp;<\/h4>\n\n\n\n<ul>\n<li>Denver, Playwrights\u2019 Bootcamp of the Western Region, Buntport Theater (2012)<\/li>\n<\/ul>\n\n\n\n<p><strong>Film and Radio:<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Far Enough&nbsp;<\/em><\/h4>\n\n\n\n<ul>\n<li>Filmed and streamed, New York, WOW Caf\u00e9 Theater (2020)<\/li>\n\n\n\n<li>Streamed, New York, One-Minute Play Festival (2020)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Homing <\/em>(radio play)\u00a0<\/h4>\n\n\n\n<ul>\n<li>KRFC.FM, Fort Collins, CO (2011)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Micro-plays:<\/strong><\/h3>\n\n\n\n<h4 class=\"wp-block-heading\"><em>The Wine Snob&nbsp;<\/em><\/h4>\n\n\n\n<ul>\n<li>Play Crawl, Denver (and Toto Too Theater Company) (2016)<\/li>\n\n\n\n<li>Aired as radio spot, CPR (KCFR.FM) (2016)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Beginning with S<\/em> &nbsp;<\/h4>\n\n\n\n<ul>\n<li>Play Crawl, Denver (and Toto Too Theater Company) (2014)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Other People\u2019s Stories<\/em>&nbsp;<\/h4>\n\n\n\n<ul>\n<li>Play Crawl, Denver (and Toto Too Theater Company) (2012)<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\"><em>The Man Who Wanted Art<\/em> (short)&nbsp;<\/h4>\n\n\n\n<ul>\n<li>Play Crawl, Denver (and Toto Too Theater Company)(2011)<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Publications:<\/strong><\/h3>\n\n\n\n<p><em>The Best Ten Minute Plays 2020<\/em>, ed. Larry Silverberg, Smith and Krauss (<em>Note to Self<\/em>)<\/p>\n\n\n\n<p><em>The Best Men\u2019s Monologues from New Plays 2020<\/em>, ed. Lawrence Harbison, Applause Books (<em>Two Truths and a Lie<\/em>)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Producer<\/strong><\/h3>\n\n\n\n<p><em>Human Crossing <\/em>(story telling program)<\/p>\n\n\n\n<p>Su Teatro at the Civic, Denver (2011)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Grants and Awards<\/strong><\/h3>\n\n\n\n<p><strong><\/strong>$1,000&nbsp; Puffin Foundation<\/p>\n\n\n\n<p><strong><\/strong>$3,000 University of Colorado Denver Office of Research Support<\/p>\n\n\n\n<p>$1,000&nbsp; Puffin Foundation<\/p>\n\n\n\n<p>Tuition scholarship to Kenyon Playwriting Conference (2017)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Theater Education<\/strong><\/h3>\n\n\n\n<p>Kenyon Playwriting Conference (2017)<\/p>\n\n\n\n<p>Cornerstone Theater Company I-5 Summer Institute in community-based theater, Los Angeles (2008)<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Memberships<\/strong><\/h3>\n\n\n\n<p><strong><\/strong>Dramatists Guild of America<\/p>\n\n\n\n<p>PlayGround NYC Writer\u2019s Pool 2021-2022<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Production History Full-length: Two Truths and a Lie&nbsp; The Liberation&nbsp; Sheltered&nbsp; Trespassing &nbsp; Under the Feet of Jesus&nbsp; Short Plays: Viable&nbsp; Take It Back Like Horses Hello Note to Self&nbsp; Letter Home (script for devised theater)\u00a0 Calypso &nbsp; Lost in Translation&nbsp; Film and Radio: Far Enough&nbsp; Homing (radio play)\u00a0 Micro-plays: The Wine Snob&nbsp; Beginning with &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/catewileyplaywright.com\/cate-wiley-cv\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Cate Wiley CV&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/catewileyplaywright.com\/wp-json\/wp\/v2\/pages\/197"}],"collection":[{"href":"https:\/\/catewileyplaywright.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/catewileyplaywright.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/catewileyplaywright.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/catewileyplaywright.com\/wp-json\/wp\/v2\/comments?post=197"}],"version-history":[{"count":7,"href":"https:\/\/catewileyplaywright.com\/wp-json\/wp\/v2\/pages\/197\/revisions"}],"predecessor-version":[{"id":304,"href":"https:\/\/catewileyplaywright.com\/wp-json\/wp\/v2\/pages\/197\/revisions\/304"}],"wp:attachment":[{"href":"https:\/\/catewileyplaywright.com\/wp-json\/wp\/v2\/media?parent=197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}